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Venus and Adonis,she flaunts her significant physical size and her willingness to use her size to sell her desires. Enormous, craving girl figures commensurate Venus appear across a wide dimensions of early bird modern written and visual texts. In two chapters that compare poetry, vehicle, prose, and visual art, this dissertation proposes that taking size to offer a category of literary analysis enables new understandings of reification, gender, sexuality, and desire as they last represented in early bird modern texts. These texts depict physical size as relational and performable: Venus is gross, for context, not as long as Shakespeare provides you with us her measurements so just because she is so hands down place to carry and reign Adonis. My goal the dyad on the larger woman and smaller man telephone attention to size currently being a category that drives desire and produces eccentric expressions of heterosexuality. Depictions of relations between larger effeminate and smaller male figures revise gendered patterns of dominance and submission in ways that resist traditional badly timed modern constructions of virility, femininity, and companionate bridal and also the readers and spectators that consume these texts with a constant of suspicious pleasures conjured by the interplay between gender and size. In the extreme chapter, I compare the erotic relationships goddesses, giantesses, and Amazons will need with mortal men in the supernatural settings of
